BOOK
CHAPTERS
These
books feature information on anime and manga or comics and animation
in general.
-
new Bolton, Christopher (2005) "Anime Horror and its Audience: 3x3 Eyes and Vampire Princess Miyu." In Jay McRoy (ed.), Japanese Horror Cinema. Edinburgh: Edinburgh University Press. 66-76.
- Bornoff, Nicholas (2002). "Sex and Consumerism: The Japanese
State of the Arts." In Lloyd, Fran (ed.), Consuming
Bodies: Sex and Contemporary Japanese Art. London: Reaktion
Books. 41-68.
- new Brophy, Philip (1994) "Ocular Excess: A Semiotic Morphology of Cartoon Eyes." In Kaboom!: Explosive Animation from America and Japan. Sydney, Australia: Museum of Contemporary Art. 42-58.
- Buckley, Sandra
(1991) "'Penguin in Bondage': A Graphic Tale of Japanese
Comic Books." In Penley, Constance and Andrew Ross (eds.),
Technoculture. Minneapolis: University of Minnesota
Press. 163-195.
- new Chun, Wendy Hui Kyong (2003) "Orienting Orientalism, or How to Map Cyberspace" In Rachel C. Lee and Sau-ling Cynthia Wong (eds.), Asian America.Net: Ethnicity, Nationalism and Cyberspace. New York: Routledge. 3-36.
- Crawford, Ben (1996) "Emperor Tomato-Ketchup: Cartoon Properties from
Japan." In Broderick, Mick (ed.), Hibakusha Cinema:
Hiroshima, Nagasaki and the Nuclear Image in Japanese Film.
London and New York: Kegan Paul International. 75-90.
- Desser,
David (2003) "Consuming Asia: Chinese and Japanese Popular
Culture and the American Imaginary." In
Lau, Jenny kwok Wah (ed.), Multiple Modernities: Cinemas
and Popular Media in Transcultural East Asia. Philadelphia:
Temple University Press. 179-99.
- Freiberg, Freda
(1996) "Akira and the Postnuclear Sublime."
In Broderick, Mick (ed.), Hibakusha Cinema: Hiroshima,
Nagasaki and the Nuclear Image in Japanese Film. London
and New York: Kegan Paul International. 91-102.
- "From Analogue
to Digital: Yasunori Honda in Conversation" (1999) In
Brophy, Philip (ed.), Cinesonic: The World of Sound in
Film. North Ryde, NSW, Australia: Australian Film, Television,
and Radio School. 40-48.
- Funabashi, Kuniko
(1995) "Pornographic Culture and Sexual Violence."
In Fujimura-Fanselow, Kumiko and Atsuko Kameda (eds.), Japanese
Women: New Feminist Perspectives on the Past, Present, and
Future. New York: The Feminist Press. 255-263.
- new Gregson, Kimberly S. (2005) "What if the Lead Character Looks Like Me?: Girl Fans of Shoujo Anime and Their Web Sites." In Sharon R. Mazzarella (ed.), Girl Wide Web: Girls, the Internet, and the Negotiation of Identity. New York: Peter Lang. 121-140
- Grigsby, Mary (1999) "The Social Production of Gender as Reflected in Two
Japanese Culture Industry Products: Sailormoon and
Crayon Shin-Chan." In Lent, John A. (ed.), Themes
and Issues in Asian Cartooning: Cute, Cheap, Mad and Sexy.
Bowling Green: Bowling Green State University Popular Press.
183-210.
-
Hasegawa, Yuko (2002) "Post-identity Kawaii:
Commerce, Gender and Contemporary Japanese Art." In Lloyd,
Fran (ed.), Consuming Bodies: Sex and Contemporary Japanese
Art. London: Reaktion Books. 127-141.
- Ito, Kinko (1995) "Sexism
in Japanese Weekly Comic Magazines for Men." In
Lent, John A. (ed.), Asian Popular Culture. Boulder:
Westview Press. 127-137.
- new Iwamura, Rosemary (1994) "Blue Haired Girls with Eyes so Deep, You Could Fall into Them: The Success of the Heroine in Japanese Animation." In Kaboom!: Explosive Animation from America and Japan. Sydney, Australia: Museum of Contemporary Art. 66-75.
- Kinsella, Sharon
(1995) "Cuties in Japan." In Skov, Lise and Brian
Moeran (eds.), Women, Media, and Consumption in Japan.
Richmond, Surrey: Curzon Press. 220-254.
- Lai,
Cherry Sze-Ling and Dixon Heung Wah Wong (2001) "Japanese
Comics Coming to Hong Kong." In Befu, Harumi and Sylvie
Guichard-Anguis (eds.), Globalizing Japan: Ethnography
of the Japanese Presence in Asia, Europe, and America.
London: Routledge. 111-20.
-
Lent, John A. (1999) "Comics Controversies and Codes:
Reverberations in Asia." In Lent, John A. (ed.), Pulp
Demons: International Dimensions of the Postwar Anti-Comics
Campaign. Madison, NJ: Fairleigh Dickinson University
Press, 1999. 179-214.
- Levi, Antonia (1998) "The
New American
Hero: Made in Japan." In Kittelson, Mary Lynn
(ed.), The Soul of Popular Culture: Looking at Contemporary
Heroes, Myths, and Monsters. Chicago: Open Court. 68-83.
- Matsui, Midori (1993) "Little Girls Were Little Boys: Displaced Femininity
in the Representation of Homosexuality in Japanese Girls'
Comics." In Gunew, Sneja and Anna Yeatman (eds.), Feminism
and the Politics of Difference. St. Leonards, Australia:
Allen & Unwin. 177-196.
- Miles, Milo (2002) "Robots, Romance, and Ronin: Music in Japanese Anime."
In Goldmark, Daniel and Yuval Taylor (eds.), The Cartoon
Music Book. Chicago: A Cappella Books. 219-224.
- Napier, Susan J.
(1996) "Panic
Sites: The Japanese Imagination of Disaster from Godzilla
to Akira." In Treat, John Whittier (ed.), Contemporary
Japan and Popular Culture. Honolulu: University of Hawai’i
Press. 235-262.
- Napier,
Susan J. (1998) "Vampires, Psychic Girls, Flying Women
and Sailor Scouts: Four Faces of the Young Female in Japanese
Popular Culture." In Martinez, D.P. (ed.), The Worlds
of Japanese Popular Culture: Gender, Shifting Boundaries and
Global Cultures. Cambridge: Cambridge University Press.
91-109.
- Napier,
Susan J. (2001) "The Frenzy of Metamorphosis: The Body
in Pornographic Animation." In Washburn, Dennis
and Carole Cavanaugh (eds.), Word and Image in Japanese
Cinema. Cambridge: Cambridge University Press. 342-365.
- Ogi,
Fusami (2001) "Gender Insubordination in Japanese Comics
(Manga) for Girls." In Lent, John A. (ed.),
Illustrating Asia: Comics, Humor Magazines, and Picture
Books. Honolulu: University of Hawai'i Press. 171-86.
- Okamoto,
Rei (2001) "Images of the Enemy in the Wartime Manga
Magazine, 1941-1945." In Lent, John A. (ed.), Illustrating
Asia: Comics, Humor Magazines, and Picture Books. Honolulu:
University of Hawai'i Press. 204-20.
- Orbaugh,
Sharalyn (2003) "Busty Battlin' Babes: The Evolution
of the Shojo in 1990s Visual Culture."
In Mostow, Joshua, Norman Bryson, and Maribeth Graybill (eds.),
Gender and Power in the Japanese Visual Field. Honolulu:
University of Hawai'i Press. 201-28.
- new Perper, Timothy and Martha Cornog (2003) "Sex, Love, and Women in Japanese Comics." In Robert T. Francoeur and Raymond Noonan (eds.), The Comprehensive International Encyclopedia of Sexuality. New York: Continuum. 663-671.
- new Quinn, Charles J., Jr. (1995) "High Metabolism: Manga Circa Showa 50." In Eiji Sekine (ed.), Japanese Theatricality and Performance, PMAJLS: Proceedings of the Midwest Association for Japanese Literary Studies. Vol. 1, Summer 1995. 70-110.
- Sabucco,
Veruska (2003) "Guided Fan Fiction: Western 'Readings'
of Japanese Homosexual-Themed Texts." In Berry, Chris,
Fran Martin, and Audrey Yue (eds.), Mobile Cultures: New
Media in Queer Asia. Durham: Duke University Press. 70-86.
- new Schilling, Mark (1994) "A Look Inside Doraemon's Pouch." In Kaboom!: Explosive Animation from America and Japan. Sydney, Australia: Museum of Contemporary Art. 76-85.
- new Shamoon, Deborah (2004) "Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women." In Linda Williams (ed.), Porn Studies. Durham, NC: Duke University Press. 77-103.
- Shigematsu, Setsu (1999) "Dimensions of Desire: Sex,
Fantasy, and Fetish in Japanese Comics." In
Lent, John A. (ed.), Themes and Issues in Asian Cartooning:
Cute, Cheap, Mad and Sexy. Bowling Green: Bowling Green
State University Popular Press. 127-163.
- Shimizu
Isao (2001) "Red Comic Books: The Origins of Modern
Japanese Manga." In Lent, John A. (ed.), Illustrating
Asia: Comics, Humor Magazines, and Picture Books. Honolulu:
University of Hawai'i Press. 137-50.
- Shiokawa,
Kanako (1999) "Cute But Deadly: Women and Violence in
Japanese Comics." In Lent, John A.
(ed.), Themes and Issues in Asian
Cartooning: Cute, Cheap, Mad and Sexy. Bowling Green:
Bowling Green State University Popular Press. 93-125.
- Shiraishi,
Saya S. (1997) "Japan's Soft Power: Doraemon Goes Overseas."
In Katzenstein, Peter J. and Takashi Shiraishi (eds.), Network
Power: Japan and Asia. Ithica: Cornell University Press.
234-72.
- Standish, Isolde
(1998) "Akira,
Postmodernism and Resistance."In Martinez, D.P. (ed.),
The Worlds of Japanese Popular Culture: Gender, Shifting
Boundaries and Global Cultures. Cambridge: Cambridge University
Press. 56-74.
- Suzuki,
Kazuko (1999) "Pornography or Therapy? Japanese Girls
Creating the Yaoi Phenomenon." In Inness, Sherrie A.,
(ed.), Millennium Girls: Today's Girls Around the World.
London: Roman & Littlefield. 243-68.
- new Tobin, Joseph (1998) "An American Otaku (or, a Boy's Virtual Life on the Net)" In Julian Sefton-Green (ed.), Digital Diversions: Youth Culture in the Age of Multimedia. London: UCL Press. 106-127.
- new Tsuji Nobuo (2001) "Early Medieval Picture Scrolls as Ancestors of Anime and Manga." In Nicole Coolidge Rousmaniere (ed.), Births and Rebirths in Japanese Art. Leiden: Hotei Publishing. 53-82.
- Yomota
Inuhiko (2003) "Stranger Than Tokyo: Space and Race
in Postnational Japanese Cinema." In Lau, Jenny kwok
Wah (ed.), Multiple Modernities: Cinemas and Popular Media
in Transcultural East Asia. Philadelphia: Temple University
Press. 76-89.
- new Yuasa, Manabu (1994) "Japanese TV Animation in the Early Years: Animation and Animated Humans." In Kaboom!: Explosive Animation from America and Japan. Sydney, Australia: Museum of Contemporary Art. 59-65.
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