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BOOK OF THE WEEK
Cosplay Girls: Japan's Live Animation Heroines. (2003.) Tokyo: Cocoro Books.

I must admit I was very skeptical when I was asked to review this book. Looking at the information on the publisher’s website, it seemed like it might be a collection of photos of scantily clad young women in anime costumes, a piece of fluff designed solely for its titillation value. I figured I would just take a look at it, though, and at the very least I could gleefully rip it to shreds. Alas, it was not to be. Although the book does present images of the aforementioned women in skimpy costumes, it does so it a way that is more entertaining and informative than prurient. While I don’t get to trash the book, it makes me feel much better that I don’t have to do so.

Cosplay Girls is a book of photos of young women participating in cosplay, short for “costume play,” or dressing up like one’s favorite character from anime, manga, or video games. After a short but intelligent introduction by Jennifer Cahill, the book moves into the bulk of its content – pictures of sometimes freakishly costumed women. Roughly divided into nine themed sections (such as “School Spirit,” “Sci Fi,” and “Stranger Than Fashion”), the book presents a variety of images of women posing at conventions in the guise of their alter-ego characters. Additionally, there are layouts highlighting specific characters (like Lum, Cutie Honey, and Rei Ayanami), shorter features on a cosplay related coffee shop and a boutique, and glimpses of the everyday lives of the individual cosplayers.

In spite of my initial biases, my overall impression of Cosplay Girls is much more favorable than I thought it would be. In compiling the photographs, the editors of the book lessen the emphasis on viewing the cosplay women in a voyeuristic manner, and seem to be honestly trying to portray the motivations behind their chosen manner of expression. This is not to say that there are not sufficient amounts of young flesh on display throughout the book – all manner of bare arms, legs, and midriffs are showcased across the various sections. The pictures are presented in such a straightforward manner, however, that it does not seem like their intention is to exploit, but rather to amuse the viewer. (And besides, a little sexiness never really hurt anyone.)

While the book succeeds as a pictorial presentation of these girls engaging in cosplay, I wish there are been more of an emphasis on the practice of cosplay rather than the costumes themselves. I found the most interesting sections of the book to be those focusing on the lives and motivations of the individual cosplayers, as well as the information on the cameko, the amateur photographers who take pictures of the cosplayers at events. Although the book hints at the codified relationship between the cosplayers and the cameko, I wish it had gone into more detail on this fascinating aspect of the cosplay phenomenon.

Filled with full-color photographs of young women engaging in cosplay, Cosplay Girls fills a unique niche in English-language publications on anime and anime. It will be interesting to compare this book to the forthcoming "Fan's View" book on cosplay in American fan circles. In the end, Cosplay Girls is a fascinating glimpse of a unique part of anime fan subculture.


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